
1/78Extras, Extras
"From the get-go, my intention was to emphasize shoes and details. At the time, there wasn't much of a focus on how women were accessorizing, so I wanted to fetishize that through my images."
"It wasn't a deliberate strategy to cut off someone's head—I was interested in body language and how the women I was photographing would eloquently text their driver or search for something in their purse despite being in a frantic rush. It felt energizing to me to see how someone would accent their stack of bracelets with their statement clutch."
"Before focusing on the woman behind the clothes, it was about the clothes and celebrating fashion."
"I originally set out to observe and document these women as if I were on safari. I never wanted to stop and speak to these individuals that I looked up to, but eventually they started recognizing me and knew what type of images I was trying to capture. So they didn't feel that I was being invasive and trusted me as I documented them running from show to show."
2/78Extras, Extras
Paris, Fall 2010
3/78Extras, Extras
Milan, Spring 2013
4/78Extras, Extras
Paris, Spring 2013
5/78Extras, Extras
Paris, Spring 2012
6/78Extras, Extras
Paris, Spring 2012
7/78Extras, Extras
Paris, Spring 2012
8/78Extras, Extras
Paris, Spring 2012
9/78Extras, Extras
Milan, Spring 2012 Menswear
Photographed by Tommy Ton10/78Extras, Extras
Paris, Spring 2011
11/78Extras, Extras
Paris, Spring 2010
12/78Extras, Extras
Paris, Spring 2010
13/78Extras, Extras
New York, Spring 2013
14/78Extras, Extras
New York, Fall 2013
Photographed by Tommy Ton15/78Extras, Extras
London, Spring 2010
16/78Extras, Extras
New York, Spring 2013
17/78Extras, Extras
New York, Spring 2010
18/78Extras, Extras
New York, Fall 2011
19/78Extras, Extras
Paris, Fall 2012
20/78Extras, Extras
New York, Spring 2012
21/78Extras, Extras
New York, Spring 2012
22/78Extras, Extras
Paris, Spring 2010
23/78Extras, Extras
Paris, Spring 2013
24/78Back to Minimalism
"I had been documenting Balmainia among the editors before I started contributing to Style.com. Everybody wanted to be the Balmain girl—aka Emmanuelle Alt—but with Phoebe Philo's return to fashion at Céline, there was a sudden shift toward minimalism. Instantly, everyone was wearing camel.”
25/78Back to Minimalism
Paris, Fall 2010
26/78Back to Minimalism
Paris, Fall 2010 Haute Couture
27/78Back to Minimalism
New York, Fall 2010
28/78The Rise of ADR
"My friendship with Anna Dello Russo began during my first season with Style.com. She had asked around and not been able to figure out which photographer was me, but when she eventually found out who had been spying on her for seasons, she introduced herself. We hit it off and she became a muse. Her passion and energy were contagious, and making sure I photographed her multiple outfit changes each day became a mission of its own. Despite what critics may think of her, she's having fun with fashion and laughing with us.”
29/78The Rise of ADR
Paris, Fall 2011
30/78The Rise of ADR
Milan, Spring 2013
31/78The Rise of ADR
New York, Fall 2010
32/78The Rise of ADR
Paris, Spring 2013
33/78The Cult of Rick Owens
"In all of the years that I've been shooting outside the shows, no other designer has attracted as loyal a following as Rick Owens has. Season after season, they religiously gather outside his shows clad head to toe in his designs. It's a remarkable sight, almost like troops getting ready for battle.”
34/78The Cult of Rick Owens
Paris, Spring 2013
35/78The Cult of Rick Owens
Paris, Fall 2012 Menswear
36/78The Cult of Rick Owens
Paris, Spring 2010
37/78The Cult of Rick Owens
Paris, Fall 2012 Menswear
38/78The Power of Street Style
"It's fascinating to observe how being photographed and featured on Style.com has influenced the careers of certain women. Girls like Hanneli Mustaparta and Miroslava Duma went from relative unknowns to style icons in such a short period of time. The impact that street style has had on the industry in undeniable.”
39/78The Power of Street Style
Paris, Fall 2012
40/78The Power of Street Style
New York, Spring 2013
41/78The Power of Street Style
New York, Fall 2013
42/78The Power of Street Style
Paris, Fall 2013
43/78The Russian Federation
"When a group of Russian girls started stealing the spotlight outside the shows, we knew it was only a matter of time before they became the front-row fixtures that everyone was talking about.”
44/78The Russian Federation
Paris, Spring 2013
45/78The Russian Federation
Paris, Fall 2011
46/78The Russian Federation
New York, Fall 2013
47/78The Russian Federation
Paris, Fall 2011 Haute Couture
48/78Rare Birds
"How sad that the fashion eccentric is a dying breed. I was fortunate to photograph Anna Piaggi in the last few years she was attending shows.”
49/78Rare Birds
Milan, Spring 2011
Photographed by Tommy Ton50/78Rare Birds
Paris, Spring 2012
51/78The French Voguettes
"Despite all the trends that come and go, you can count on the Vogue Paris team to keep it basic and chic.”
52/78The French Voguettes
Paris, Spring 2013
53/78The French Voguettes
Paris, Fall 2012
54/78There’s a Storm Brewing
"The most challenging factor about shooting street style has always been weather, but torrential downpour or windy blizzard, nothing dampens my drive to get the photograph. And surprisingly, in the past some of my favorite images have been the result of terrible conditions.”
55/78There’s a Storm Brewing
New York, Fall 2010
56/78There’s a Storm Brewing
Milan, Fall 2013
57/78There’s a Storm Brewing
Milan, Fall 2013
58/78There’s a Storm Brewing
New York, Fall 2013
59/78There’s a Storm Brewing
New York, Fall 2010
60/78Has Street Style Peaked?
"At times the industry has felt that the scene outside the shows is turning into a circus and detracting attention from what's important: the clothes on the runway. But with the growing popularity of social media, there's no stopping the phenomenon.”
61/78Has Street Style Peaked?
Paris, Fall 2011 Haute Couture
62/78Has Street Style Peaked?
New York, Spring 2013
Photographed by Tommy Ton63/78Has Street Style Peaked?
New York, Spring 2013
64/78Favorite Moments
"The greatest highlights of the past five years have been the moments when I've been caught off-guard. I'm still amazed by all the chaos that happens outside the shows. It's really a jungle out there, and you just have to have fun and always keep your eyes open."
65/78Favorite Moments
New York, CFDA Awards 2011
66/78Favorite Moments
Paris, Fall 2011
67/78Favorite Moments
Florence, Fall 2013 Pitti Uomo
68/78Favorite Moments
New York, Fall 2013
69/78Favorite Moments
New York, Fall 2013
70/78Favorite Moments
London, Spring 2012
71/78Favorite Moments
New York, Spring 2012
72/78Favorite Moments
New York, Spring 2012
73/78Favorite Moments
New York, Spring 2012
74/78Favorite Moments
New York, Spring 2012
75/78Favorite Moments
Paris, Spring 2012
76/78Favorite Moments
Paris, Spring 2012
77/78Favorite Moments
Paris, Spring 2013
78/78Favorite Moments
Paris, Spring 2013