Magazine

Photos: Navina Najat Haidar

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    Photographed by Raymond Meier
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    A Different View

    Haidar, in a Chadwick Bell jacket, a Comme des Garçons shirt, and Talbots pants, seated on a visitors’ bench in front of carved wooden arches in the Mughal South Asia gallery.

    Hair, Bok-Hee for TRESemmé; makeup, Rebecca Restrepo.

    Sittings Editor: Kathryn Neale.

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    Photographed by Raymond Meier
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    Intricate Treasures

    The Damascus Room, which features the Met’s reassembly of an 18th-century reception chamber from a Syrian residence.

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    Divine Inspiration

    A mihrab, or prayer niche, from 14th-century Iran.

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    Study of a Nilgai (Blue Bull), Leaf from the Emperor’s Album, ca. 1620

    Painter Mansur (active ca. 1589–1626), Calligrapher Mir 'Ali (d. ca. 1550)

    India

    Ink, opaque watercolor, and gold on paper

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    Photo: Courtesy of The Metropolitan Museum of Art, New York
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    Ceramic Plate, mid-16th century

    Iznik, Turkey

    Stonepaste; painted in turquoise and two hues of blue under a transparent glaze

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    Photographed by Raymond Meier
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    The Moroccan Court

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    Photo: Courtesy of The Metropolitan Museum of Art, New York
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    Koç Family Gallery

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    Mango-Shaped Flask; Rock crystal, set with gold, enamel, rubies, and emeralds; mid-17th century India.

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    Sharmin and Bijan Mossavar-Rahmani Gallery

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    Tughra (Official Signature) of Sultan Süleyman the Magnificent; Ink, opaque watercolor, and gold on paper: ca. 1555–60; Istabul, Turkey.

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    The Damascus Room (18th century)

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    The Lovers, dated Tuesday, 8 Shawwal A.H. 1039/ May 21, 1630 A.D., by Riza-yi `Abbasi (ca. 1565–1635); Opaque watercolor, ink, and gold on paper; Isfahan, Iran.

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    Patti Cadby Birch Gallery