Runway

Anders Edström, the Nonconformist Swedish Fashion Photographer, Talks Methodology and How He Got a Leg Up From Martin Margiela

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By Laird Borrelli-Persson
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    Anders Edström

    Martin Margiela, 1993. Photographed for the catalog L’Hiver de l’Amour, a 1994 show at the Musée d’Art Moderne in Paris, curated by Elein Fleiss, Dominique Gonzalez-Foerster, Bernard Joisten, Jean-Luc Vilmouth, and Olivier Zahm.

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    Anders Edström

    Martin Margiela, 1993. Photographed for the catalog L’Hiver de l’Amour, a 1994 show at the Musée d’Art Moderne in Paris, curated by Elein Fleiss, Dominique Gonzalez-Foerster, Bernard Joisten, Jean-Luc Vilmouth, and Olivier Zahm.

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    Anders Edström

    Ann-Sofie Back, in her own designs, photographed for Self Service, 1998

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    Anders Edström

    Liz Goldwyn, left, and Susan Cianciolo, both in Run Collection, photographed for Purple, 1999

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    Anders Edström

    Miu Miu advertising campaign, 2001

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    Anders Edström

    Ai Tominaga, photographed for Another, 2011

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    Anders Edström

    “Masculin/Feminin,” photographed for Purple, 2014

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    Alek Wek, photographed for Purple, 2017

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    Anders Edström

Christian Lacroix is Laird Borrelli-Persson’s fashion raison d’etre; the way he combined romance and historicism set her on the path she is following today. Borrelli-Persson studied literature at Boston College, spending her junior year abroad at Oxford, where she added some art history. After graduation she moved to New York to intern ... Read More
TopicsPhotography