In Milan, Hamish Bowles Examines the Creative Mind With Exhibitions on Rick Owens and Ettore Sottsass
Photo: Aldo Ballo / Courtesy of La Triennale1/16Ettore Sottsass’s “Carlton” Room Divider by Memphis Milano, 1981
Photo: Gianluca Di Ioia / Courtesy of La Triennale2/16An exhibition view of “Ettore Sottsass: There Is a Planet” at La Triennale in Milan
Photo: Gianluca Di Ioia / Courtesy of La Triennale3/16An exhibition view of “Ettore Sottsass: There Is a Planet” at La Triennale in Milan
Photo: Gianluca Di Ioia / Courtesy of La Triennale4/16An exhibition view of “Ettore Sottsass: There Is a Planet” at La Triennale in Milan
Photo: Gianluca Di Ioia / Courtesy of La Triennale5/16An exhibition view of “Ettore Sottsass: There Is a Planet” at La Triennale in Milan
Photo: Gianluca Di Ioia / Courtesy of La Triennale6/16An exhibition view of “Ettore Sottsass: There Is a Planet” at La Triennale in Milan
Photo: Gianluca Di Ioia / Courtesy of La Triennale7/16Ettore Sottsass’s “Gray Furniture” by Poltronova, 1970
Photo: Gianluca Di Ioia / Courtesy of La Triennale8/16An exhibition view of “Ettore Sottsass: There Is a Planet” at La Triennale in Milan
Photo: Gianluca Di Ioia / Courtesy of La Triennale9/16An exhibition view of “Ettore Sottsass: There Is a Planet” at La Triennale in Milan
Photo: Gianluca Di Ioia / Courtesy of La Triennale10/16An exhibition view of “Ettore Sottsass: There Is a Planet” at La Triennale in Milan
Photo: Gianluca Di Ioia / Courtesy of La Triennale11/16An exhibition view of “Ettore Sottsass: There Is a Planet” at La Triennale in Milan
Photo: Gianluca Di Ioia / Courtesy of La Triennale12/16An exhibition view of “Ettore Sottsass: There Is a Planet” at La Triennale in Milan
Photo: Erik & Petra Hesmerg / Courtesy of La Triennale13/16Ettore Sottsass’s “Barbarella” by Poltronova, 1965
Photo: Erik & Petra Hesmerg / Courtesy of La Triennale14/16Ettore Sottsass’s “Barbaric Furniture,” 1986
Photo: Johanna Grawunder / Courtesy of La Triennale15/16Ettore Sottsass’s “Casa Wolf” in Ridgway, Colorado, 1986–1989
Photo: Erik & Petra Hesmerg / Courtesy of La Triennale16/16Ettore Sottsass’s “Le Strutture Tremano Alchymia,” 1979