Degas’s Ballerinas Jeté From the Canvas to the Runway Inline
Photo: Marcio Madeira1/6Three looks in John Galliano’s Fall 2005 Haute Couture collectsion for Dior were created in homage to Degas’s dancers. Here, a model wears a golden confection with embroidery inspired by Peruvian costume.
Photo: Daniele Oberrauch2/6Riccardo Tisci deemed the women in his Spring 2008 Couture collectsion for Givenchy “gothic ballerinas,” an idea best exemplified in this look, which echoes the collarbone-exposing shapes and prominent waist ribbons of Degas’s dancers.
Photo: Monica Feudi / Feudiguaineri.com3/6Sarah Burton’s Fall 2012 collectsion for Alexander McQueen had a decidedly future-meets-past spirit, and though not explicitly referencing Degas, the shape and color of this dress seems drawn from one of his onstage works.
Photo: Style.com4/6For his Spring 2003 Couture collectsion, Jean Paul Gaultier turned a Degas painting into a print, which he used to frame the tulle skirt of a gown.
Photo: Yannis Vlamos / Indigitalimages.com5/6Dancers have served as a prime inspiration for Maria Grazia Chiuri and Pierpaolo Piccioli at Valentino. For their Spring 2014 Couture collectsion, the duo echoed the volume of Degas’s dancers in this nude froufrou frock.
Photo: Alessandro Garofalo / Indigitalimages.com6/6Undercover’s Spring 2015 collectsion explored ballerinas of all types, but this acid lilac number feels particularly worthy of the Palais Garnier.